Paradox: definition and examples

A paradox is a statement or situation that seems to contradict itself but, looked at closely, turns out to be true.

A paradox makes a claim that sounds impossible and then proves it: cowards die many times before their deaths. Where an oxymoron fits in two words, a paradox needs a whole sentence or a whole situation. In a novel it can work at the level of plot, when a character's strength causes the very thing they fear.

Why readers stop at a paradox

A paradox creates a small jolt: this cannot be right. Then the reader finds the sense in it. The idea sticks harder than a plain statement would, because the reader did some of the work.

That two-step movement, doubt then understanding, is why paradox turns up in proverbs, in scripture and in the mouths of clever characters. It flatters the reader for working something out.

Examples

  • "Cowards die many times before their deaths; The valiant never taste of death but once."

    Julius Caesar, Act 2, Scene 2, William Shakespeare

    Caesar's paradox is also his character. He believes it. It walks him to the Capitol on the day he dies.

  • "I must be cruel, only to be kind"

    Hamlet, Act 3, Scene 4, William Shakespeare

    Hamlet justifies hurting his mother. The paradox leaves the audience to decide whether he means it.

  • "death, thou shalt die"

    Holy Sonnet X ("Death, be not proud"), John Donne

    The sonnet ends by turning death against itself. Donne's argument only works because the claim sounds impossible.

  • "I can resist everything except temptation."

    Lady Windermere's Fan, Act 1, Oscar Wilde

    Lord Darlington's paradox is a joke with a confession inside it, which is how witty characters often give themselves away.

  • "The more carefully Nell guarded the secret, the more certain everyone became that she had one."

    Original

    A plot-level paradox: the protection causes the exposure. Built into a character, a contradiction like this can drive a whole book.

Paradox as a plot engine

Line-level paradoxes work best in dialogue, from a character sharp enough to coin one. Drop one into flat narration and it reads like a quote on a poster.

The richer use is structural. Give a character a trait that produces the very outcome they are trying to avoid: the planner whose planning makes her brittle, the protector who smothers. [Brainstorm](/features/brainstorm) can offer five versions of that contradiction for your cast. Keep the one that fits.

Common mistakes

  • Calling a plain contradiction a paradox

    A paradox resolves into sense when you look closer. A statement that simply defeats itself is only a contradiction.

  • Explaining it

    The pleasure is the reader working it out. Follow a paradox with a sentence that unpacks it and you take that away.

Common questions

What is an example of a paradox in everyday life?
"Less is more" is one: cutting things can make a design or a paragraph stronger. So is "the only constant is change." Both sound wrong at first and hold up on reflection.
How is a paradox different from irony?
Irony is a gap between what is said and what is meant, or between what is expected and what happens. A paradox is a claim that looks impossible but proves true. A moment can be both, but they are different tools.
What is the difference between a paradox and an oxymoron?
An oxymoron packs a contradiction into a phrase of two or three words. A paradox needs a full statement or situation. LitCharts puts it neatly: an oxymoron is a device, while a paradox is an idea. ---

Related terms

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